Antique Victorian Print Edward Burne-Jones King Cophetua Study Framed c.1890s

★ Measurements Frame Size: Approx 18.5" wide × 23" tall Visible Image Size: Approx 10" wide × 15" tall Glazing: Glass front panel ★ Condition Era: Late Victorian, c.1890–1905 Condition: Good antique condition Flaws: Age toning across the print surface with minor handling marks consistent with age. The mount shows gentle patina and small edge splits typical of Victorian presentation. The ornate gilt frame displays expected rubbing to high points and corners, with surface wear consistent with age. The reverse retains period backing paper, original sealing tape, and an early string hanging system, all showing honest age and handling wear. The print sits slightly off-centre within the mount and glazing. Note: Easel shown in photos is not included. ★ Details & Features Antique late Victorian art print after Edward Burne-Jones, depicting an idealised female head study in the Pre-Raphaelite style for which he is best known. The softly modelled features, downcast gaze, and restrained tonal palette reflect Burne-Jones’ approach to feminine allegorical subjects during the early 1880s. The image bears the printed plate inscription “EBJ 1882 to JCC” in the lower corner, referencing the original drawing date and dedication, a format commonly reproduced on authorised Burne-Jones studio and publisher prints of the period. This image is commonly referred to in reference sources as a study associated with King Cophetua and the Beggar Maid, reflecting its stylistic relationship to the female figure type Burne-Jones developed during this phase of his career. Rather than a direct preparatory sketch for the finished painting, it represents a standalone head study connected to the same period and idealised figure language seen across several of his major works. Produced using a high-quality late 19th-century printing process such as photogravure or collotype.